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Wednesday, February 13, 2019

commercial art :: essays papers

commercial blindThe contemporary commercial art and design of to twenty-four hours has no discredit been created through the heavy influences of 20th century art. Most corporations who advertise on a large scale look back to the nigh important art of the past century when creating their ads. Its almost impossible to walk the city streets without being bombarded by billboards with crafty designs and catchy phrases. With a little research though, its fairly easy to find that the basis of this commercial art stack be found in the art of the last one vitamin C years. Cartoons come first to mind when thinking about the different shipway 20th century art have involveed modern day art and design. Long before I saw the original American Gothic by Grant Wood, I laughed at a portraying of Bugs Bunny and Daffy Duck standing together in front of a farm house with pitch fork in hand. Most cartoons count to have an underlying humor meant to be understood by nevertheless the most articulate and intellectual adult, while at the same while being simplistic enough to entertain a small child. Cartoonists successfully accomplish this by being fountainhead read and educated in myth, history and art. Advertising agencies must be just as well educated in order to create influential advertisements that will impact consumers. De Stijl created by Peit Mondrian has without a doubt been one of the most popular designs unified into todays commercial art. On almost every nursing bottled hair care point of intersection from Loreal is a composed set of lines complete with red, yellow and blue squares, expressing spectacular similarities to De Stijl. Tommy Hilfiger uses clean lines and the three primary colors in all of his advertisements as well as on his signature label which also pantomime the style of Peit Mondrian. While visiting a museum and studying a Mondrian, most of the general public repeatedly remarks to how his paintings look as if anyone could do them. However, development the same artistic logic and redesigning his work on a bottle of hairspray or a t-shirt, the public becomes awe-stricken and then rushes out in a mad fury to purchase this stylish product which is actually found on the same style of art which if hung in a museum looks to them interchangeable something anyone could make. Advertisers look also to the photography of the past century when designing ads for magazines.

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